No, you really don’t. You don’t need to understand keyframes, easing curves or any of that theory behind animation. The timing and rhythm are already built into the templates. You just open the file, replace the placeholder with your own content, tweak colors if you want, and export. That’s it.

All templates are built in Jitter, so you’ll need a Jitter account to open and edit them. If you’ve ever edited a design file before, you’ll feel comfortable pretty quickly.

Yes, you can use them in both personal and commercial projects, including client work. The only thing you can’t do is resell, redistribute or turn the templates into your own competing products. They’re meant to support your work, not become something you resell as-is.

No. There’s no subscription. You purchase a license for a template and you can use it according to the license terms. No recurring payments, no hidden surprises.

That’s completely fine. Jitter is lightweight and pretty intuitive. If you’re used to working with design tools, you’ll get the hang of it quickly. Most people are able to open a template, swap their content and export within minutes.

After Effects is powerful and there’s a reason it’s widely used. But it’s also complex and takes time to learn properly. Not everyone wants to become a motion designer just to present a website or a brand project.
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These templates are built for designers who want movement without diving into a heavy animation workflow. If you need full cinematic control, After Effects makes sense. If you just want your work to move and feel more alive, this is a simpler and faster way to get there.

108™ Supply was founded by Ariel Jędrzejczak.

We’ve worked in agencies and as freelancers for years, designing websites, brand identities and digital products. And almost every time we wanted to present our work properly, we ended up building custom motion from scratch.
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Not because we were motion specialists, but because static screenshots never felt like enough.
Over time, those small presentation experiments turned into a system - a way of adding movement that supports the design instead of distracting from it. 108™ Supply grew out of that.
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This isn’t a motion studio. It’s designers building tools they actually wanted to use themselves.

Right now, we’re focused on building the strongest design system we can - one that connects what designers already love, like Figma, with tools like Webflow and Framer in a way that actually makes sense.
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The goal isn’t just to sell assets. It’s to create a smoother bridge between design and development, so the handoff feels less like friction and more like a natural flow.

Motion is one layer. The bigger vision is a system where layout, structure and movement work together, almost like a shortcut, but without cutting corners. We’re building this step by step, carefully, and we want 108™ Supply to grow into something that designers genuinely rely on, not just browse once.